In the continuing effort to find subjects and maintain social distancing I have found that there are at least 600 murals scattered across Ohio. This posting will be the first in a series featuring some of these murals.
We start in the Franklinton neighborhood in Columbus. This neighborhood is home to a number of artist groups, but is going through a significant amount of gentrification, so they may be in danger of being priced out.
A few of the first group is in fact from a new residential building’s exterior walls.
Throughout the neighborhood is a mix of old and new, both celebrating the art.
Christmas day morning is the perfect time to take photos of the massive amount of art in the Buenos Aires subway – the trains are running frequently but there are very few people on them, or in the stations.
This posting is not meant to be a catalog of all of the art as it would be far to extensive, rather to profile some of the best. The photos go in order from the furthest station out (Congresso de Tucaman) to the termination at Catedral. Many of the notes detailing the work came from a PDF/book published in 2017 by the city of Buenos Aires.
We start in the Congresso de Tucaman station with a large mural that is meant as a statement of freedom and independence, with a number of symbols including a condor which stands for the southern hemisphere and an eagle which stands for the northern hemisphere. This mural also represents sacred symbols and the idea that it is never too late to make dreams come true.
This mural, as well as a number of others, in the Jose Hernandez station is by Raúl Soldi. The works depict a bygone era of art and music.
The ticket level has a tribute to Lionel Messi, a legendary Argentine soccer player.
In the Palermo station are works from Milo Lockett, evoking childhood memories to provide a pleasant journey.
In the Plaza d’Italia station are three beautiful tile murals by Leonie Matthis de Villar. This one is depicting public ceremonies the chiefs used to carry out with the priest before entering the church.
The columns of the station are decorated by Marino Santa Maria, the mosaic artist we met in his studio a few weeks ago.
On the floor of the platform, protected by special resistant material, are scenes from the Port of Buenos Aires in the 1930s. It represents the Italian immigrant laborers of the day.
Many of the stations have these fantastic murals on tile. Completed by Rodolfo Franco, they were installed in the stations during their construction in the 1930s, depicting both historic and current (for 1930s) life across Argentina.
In the Pueyrredón station are a series of illustrations by Gustavo Reinoso showing the symbols of the city in a Pop Art style.
Further into town at the Facultad de Medicina we return to more of the Franco murals.
In the Callao station there are 8 large mosaics portraying German artists who learned their artwork was destroyed by the Nazi’s at the end of World War II. Completed by Remo Bianchedi, it is a tribute to the anguish those artists felt.
Knowing this now they seem cheapened by the large advertising nearby.
The Teatro Colon station has a far more modern art approach.
Also in the Teatro Colon station are representations of the Spanish conquistadors coming to Argentina, and the impact it had on the natives.
In this mural depicting 1835, gauchos are resting after the end of their journey, leaving their carts half-loaded. This image contains those goods that were part of the international trade that later Argentina into the breadbasket of the world.
We end at Catedral where the beloved Mafalda is lamenting the condition of the world.
Rockefeller Center hosted the Frieze Sculpture Exhibit, featuring art from 14 international artists. While the sculptures were interesting, they have a hard time taking attention from the amazing artwork that is omnipresent at Rockefeller Center.
Artesia, New Mexico is an oil and gas town. That history, as well as the old west cattle grazing is celebrated throughout town in bronze statues. Also featured are some of the cultural leaders, including the librarian.